| Scan
Resolution, General |
|
A home colour photo quality ink jet printer may typically
print at up to 300 pixels (or lines) per inch, which is adequate
to produce a smoothly graded image. This is the physical resolution.
In general any higher resolution quoted is what is known as "virtual
resolution", which uses technology trickery with color blending
to achieve a better print. For example, a printer may be quoted as giving
a resolution of 9600 dpi. Usually this means it can deposit up to 9600 droplets
per inch, however a droplet may be as small as 1 picolitre and a pixel may
need typically up to 32 droplets. 9600 divided by 32 = 300.
The scanning resolution required depends not only
on the printer's capability but also to a large extent on the paper
and ink type. However, as a rule of thumb: A 35mm scan at 2700 dpi
will approximately match a typical printer on A4 paper with no margins.
Scanning at 1350 dpi will produce a good print at 8 " x 6 ".
A 4000 dpi scan will allow good quality printing at least to A3.
Typically APS will produce good prints at a bit over half that of 35mm,
so for A4 prints from APS you would need 4000 dpi.
Scanning at a higher resolution than needed for
the way the scanned file will be used can produce unexpectedly lower
quality results due to "pixel skipping" - and conversely
if the image is scanned at a lower resolution than needed then image
quality will suffer in the final result as the missing pixels need
to be "invented".
Back
to top
|
 |
| Scan
Density, 35mm |
|
This is the number of dots
per inch scanned on the 35mm slide or negative. In all cases the
raw image will be cropped slightly after scanning to remove rough
edges at the extremities of the scan.
At 1350 dpi the raw scan is
1296 x 1947 pixels (picture area 2,523,312 pixels). This is larger
than most display screens in current use, and will provide excellent
quality images on-screen and good quality home printing for most
requirements. To view the complete picture on screen you will need
to use a viewing programme that resizes the image automatically
to fit.
At 2700 dpi the raw scan is
2592 x 3894 pixels (picture area 10,093,248 pixels) and at 4000 dpi it is 5782 x 3946 (picture area 22.8 MPixels).
Back
to top
|
 |
| Scan
Density, APS |
|
This is the number of dots
per inch scanned on the APS negative. In all cases the
raw image will be cropped slightly after scanning to remove rough
edges at the extremities of the scan.
At 1350 dpi the raw scan is
1502 x 984 pixels (picture area 1,477,968 pixels) and cropped will typically be 1427 x 842 approximately, or 1,201,534 pixels. This is larger
than most display screens in current use, and will provide excellent
quality images on-screen and good quality home printing for most
requirements. To view the complete picture on screen you will need
to use a viewing programme that resizes the image automatically
to fit.
At 2700 dpi the raw scan is
3005 x 1968 pixels (picture area 5,913,840 pixels), cropped approx. 2851 x 1701 (4,849,551 pixels) and at 4000 dpi it is 4453 x 2916 (picture area 12.9 MPixels), cropped approx. 4235 x 2524 (10.6 MPixels).
Back
to top
|
 |
| Scan
Density, Prints |
|
We are able to scan prints, photographs, magazine pages or any
printed material up to A4 size. The scan density we offer is 300
dpi which equates to a scanned image of a full A4 page of 2475 x
3505 or 8,674,875 pixels.
|
 |
| Scan
Format, CMYK |
|
CMYK stands for Cyan, Magenta,
Yellow, blacK.
These are the colours used by printers to produce all colour combinations.
The black is required because combining the three colours to produce
black actually results in a muddy colour.
CMYK scanning is recommended for professional printing applications
where colours need to be matched very specifically. We can convert your images to CMYK if required.
Back
to top
|
 |
| Scan
Format, RGB |
|
RGB stands for Red, Green,
Blue. These are the three colours
used by all monitors to produce full colour screen images. RGB images
are converted by software to CMYK during printing, producing good
results for your scanned photographs. Unless otherwise specified we will always save your images in this format.
|
 |
| Scan
Format, Grayscale |
|
Grayscale is used to refer to an image scanned from a black and
white picture, whereby the shades of grey are represented by stepped
variations from black to white. There is some advantage to scanning
black & white images in RGB, as this splits the image into the
three colour consituents allowing finer adjustments to be made in
final scan quality.
Back
to top
|
 |
| Save
as Jpeg |
|
Joint
Photographic
Experts
Group
(also abbreviated jpg) and pronounced jay-peg. JPEG is a compression
technique for colour images and photographs that balances compression
against loss of detail in the image. The greater the compression,
the more information is lost. Jpeg will also support up to 8-bits per colour (Red, Green Blue) resolution only, which is 24-bit overall resolution for 16,777,216 total colours.
|
 |
| Save
as Tiff |
|
(Tagged
Image File Format)
A lossless uncompressed image file format that produces no artifacts
as is common with other image formats such as JPG, a common format
for exchanging raster (bitmapped) images between application programmes.
Tiff will support 8-bit or 16-bit per colour (R, G, B) resolution = 24- or 48-bit overall. Typical file sizes are shown below:
| TIFF |
8-bit RGB |
8-bit CMYK |
16-bit RGB |
16-bit CMYK |
| 1350 |
7.5MB |
10MB |
15MB |
20MB |
| 2700 |
30MB |
40MB |
60MB |
65MB |
| 4000 |
66MB |
88MB |
133MB |
177MB |
Back
to top
|
 |
| Scan Process Limitations |
|
The results delivered by the scanning process are dependent upon a number of factors, principal of which is the quality of the slides or negatives. The main influencing factors and their effects are listed below. Correction of many of the problems can be achieved in the BasicPlus (dust / scratch removal) or Enhanced Services, and we will often spend more time to try and achieve better results for you. Basic Service scans are returned as-is after rotation and cropping.
- Properly exposed, well stored slides and negatives will usually produce excellent results.
- Under exposed film produces dark scans, and with that the film grain together with low levels of noise from the scanner's CCD become more noticeable, particularly in blues and more particularly large areas of blue (the sky). In the Enhanced Service option we can minimise this graininess by marking off any large affected areas like the sky and applying a noise filter. The technique can only be applied to limited areas of the scan as one side effect of this filter is that it softens the image, so details can look a little out of focus.
- Over exposed films are washed out and lack detail. We can adjust the brightness and contrast levels to reduce the effect, but detail is often completely missing and cannot be 'invented.'
- Out of focus photographs can sometimes be improved with sharpness filters, but in general little can be done to correct poor focus.
- 'Tunnel vision' effects are sometimes visible and usually caused by long lenses and lens hoods producing a circular shadow evident in the corners of the image. Over time this effect is often exaggerated as film emulsions deteriorate. Irregular patterns such as grass can be improved by cloning other patches of grass into the corners, but the continuous colour and brightness variation in most skies makes it very difficult to remove this effect.
- Film emulsions deteriorate over time, some more than others, and influenced by storage condition over the years. Much of this deterioration can be compensated for in the enhanced service by combining some automatic sensing of the colour changes during scanning against stored information on a large number of film types, with additional manual levels compensation in Photoshop. High levels of deterioration can only be corrected so far, depending upon how much original colour information is still present.
- Slides in particular are prone to fungal growth over time. This fungus shows as spidery trails emanating from a small discoloured area, or as patches of the image that are totally discoloured. The effects can be reduced within the Enhanced Service, but total elimination would often require large amounts of time and in the worst cases the image could end up more as an 'artist's impression' than a photograph. We will always do the best we can, but miracles do take longer!
- Fingerprints scan extremely well and are very difficult to remove. Sometimes we can remove the worst from the slide or negative using iso-propyl alcohol, but old fingerprints tend to stay. After scanning the worst effects can be removed in Photoshop but full removal can take considerable time and is not possible within normal pricing levels.
- Minute dust particles are evident on most slides and some negatives, attracted by static electricity and stubborn to remove before scanning. Digital ICE technology can eliminate dust pollution almost entirely, and we can remove any left-overs manually.
- Film negatives in particular are prone to scratching of the emulsion, producing white streaks and patches in the scanned image. Again, Digital ICE can remove the worst of these scratches automatically with any left-overs removed manually.
Back to top
|
 |
| Multi-Pass Scan |
|
For most purposes a single pass scan will produce excellent results. The sensor technology used in our scanners is CCD (Charge Couple Device), which can occasionally fire pixels at random, but these are rare and usually not noticed. In order to guarantee elimination of these random pixels, we can scan the slide or negative up to 16 times. The images are then compared and combined digitally, so the rogue pixels are removed. Multi-pass scanning adds considerably to the time required to produce the final image. This technique will only provide benefit to excellent quality originals. |
 |
| Mpeg |
|
The acronym for Moving
Pictures
Expert
Group,
MPEG is an international standard for video compression and desktop
movie presentation. A special viewing application is needed to run
MPEG files on your computer.
Back to top
|
 |
| CD
or DVD? |
|
The choice of storage medium largely depends upon
the size of the files to be saved, the number of files you are
comfortable with on one disc, and the compatibility of your computer. The actual number of pictures you can store will vary depending
upon picture content, the following are provided as guidelines.
Unless you specify otherwise, we will use the storage medium appropriate
to the total file size of your scanned images, either CD-R or DVD-R. Typically, Jpeg images
will be stored on CD-R, whilst anything but a small quantity of
Tiff images will be saved to DVD-R. If you prefer a specific medium
(for example, if your PC does not have a DVD Drive, or if you know that you need DVD+R for compatibility), please use
the Additional Information field on the order form to tell us your
preference.
A recordable CD (Compact Disk) will provide between
620 and 700 MB of space. This represents anywhere from 500 to over 1000 images
scanned at 1350 dpi depending upon picture content and level of compression. At 2700 dpi perhaps 100 to 300 or at 4000 dpi 30 to 150 (this is rough guidance only). Jpeg images optimised for the web can be up to 10x smaller than
high quality Jpegs, therefore you can potentially store 10x as many
in the same space.
Saved as Tiffs, the number you can store depends upon scan density and colour resolution. The following table provides approximate file sizes - these vary depending upon the amount of cropping of the original scan. A CD-R will accept about 75 Tiffs at 1350 dpi and with 8-bit resolution, but only three at 4000 and 16-bit.
| TIFF |
8-bit RGB |
8-bit CMYK |
16-bit RGB |
16-bit CMYK |
| 1350 |
7.5MB |
10MB |
15MB |
20MB |
| 2700 |
30MB |
40MB |
60MB |
65MB |
| 4000 |
66MB |
88MB |
133MB |
177MB |
A DVD (Digital Versatile Disk) will provide 4.7
GB of space. Using the same parameters as above, you can store about 7 times as many files..
Back
to top
|
 |
| Dust / Scratch
Removal |
|
Digital ICE3 technology can identify defects (scratches
and dust) independently of the picture data. The resulting defect
map is then used to correct the damaged or obscured parts of the
image. The use of the defect correction technology can produce scans
from unusable, scratched or mis-handled film at a quality that is
close to the state of the original image. It is designed to be used
with dye-based films (i.e. C-41 or E-6 process films) and can not
be used with silver based black and white films. This is due to
the fact that the defect correction relies on the dye layers being
transparent to the detection signal. Most black and white file uses
metallic silver as the pigment, and this element blocks the defect
detection signal.
Monochrome C41 process film such as Ilford XP2 or
Kodaks T-Max CN may be used with the defect correction system as
metal pigments are not employed in this type of film.
Previously, Digital ICE could not normally be used with Kodachrome
films as degradation to the image quality occured. Our upgraded scanning equipment now includes a Kodachrome setting to allow its use.
Very badly scratched or marked negatives or slides will normally need considerable additional effort in Photoshop, particularly black and white films where digital ICE cannot be used. We will always do our best within a reasonable time frame, but may need to quote for additional processing time in such circumstances. Fingerprints and the spidery marking caused by fungus growth are not removed by Digital ICE. Where these occur we do try our best to remove them as part of the BasicPlus or Enhanced Services but cannot guarantee to remove them all within the standard scanning price.
Back
to top
|
 |
| DVD Slide Show |
|
A DVD Slide Show will play on your television through most DVD players, or on your computer via its own DVD player software (you will need a computer with a DVD drive and the relevant software installed). You will need to c heck your DVD player's compatibility with DVD-R before ordering!
The DVD Slide Show can include the images we have scanned for you, or images that you send us on CD, or a combination of both. The DVD is created in a standard format with menu. Each slide show can have a maximum of 99 images, and we we recommend a maximum of 8 slide shows per disc, each of which has its own menu selection. You specify which images go into which slide show, what each show is called, and what the DVD's title should be.
An audio track can also be added to your slide shows, due to music licensing restrictions we ask that you send us your chosen music on CD. A slide show with 99 images lasts about 10 minutes.
The images are resized as they are added to the DVD to the full PAL studio standard (CCIR-601 D1) of 720 x 576. We are unable to produce DVDs to the HD standards.
Back
to top
|
 |
| Colour
Management |
|
The concept of color management is to implement a method of working
that attempts to standardize the representation of digital images.
The aim is to ensure that the appearance of any image (color, brightness,
etc) remain consistent as it is moved, viewed and printed on any
computer.
The ICC (International Color Consortium, http://www.color.org)
has established a standard for the definition of a color management
system for image processing and reproduction. The standardization
is achieved by defining the so-called color space of an image. In
simple terms this color space definition is composed of:
1. A definition of red, green and blue.
(Chromaticity)
This relates the digital values of pure red (r=255, g = 0 and b=0),
pure green (r=0, g = 255 and b=0), and pure blue (r=0, g = 0 and
b=255) to a set of primary colors taken from the natural range of
color that the human visual system can perceive.
For example, two film scanners may scan the same image and produce
different results. This is because the color filters that are used
to analyze the image into red, green and blue channels are not the
same. Both scanners will produce a set of digital values for the
image, but the color measured to give those values will not be the
same. Furthermore, the same image, when viewed on two different
monitors will be appear to be different as each manufacturer uses
different chemicals to produce the colors that we see.
2. The white point.
The human visual system is able to define the color white in a non-neutral
ambient lighting by reference to other known natural objects such
as human skin, vegetation etc. Therefore, a white object will appear
white even under colored lighting, provided another reference is
available to the viewer. Electronic systems however, do not have
the expertise and computing power of the human visual system and
will not compensate colors to the same degree of apparent accuracy.
A color space can include compensatory information about the ambient
lighting in which the image was taken or is to be viewed.
3. The Gamma.
Gamma is a mathematical term which is used to describe a skew in
the middle tones of an image. Gamma values do not affect the overall
density range (in other words the brightest and darkest points of
the color space) but will dramatically affect the overall appearance:
A low gamma value will produce a saturated, sombre image, whereas
a higher value will result in a de-saturated, washed-out result.
All imaging devices such as monitors, digital cameras and scanners
make use of some sort of gamma value as the conversion between digital
and analog. The value of gamma can be specified for a color space
so that the correct tonality can be reproduced.
Footnote:
Color is a physiological sensation produced by the effect of the
stimulation of the eye by electromagnetic energy (the colors of
the rainbow). All human beings have their own unique interpretation
of "color". This perception may be altered by mood and
surroundings.
Some colors that are perceived by humans do not exist in nature.
For example, there is no purple in the electromagnetic spectrum.
Purples are formed in the brain when certain blues and reds appear
to be coming from the same object.
The eye cannot analyze color by wavelength and level like a scientific
instrument. It analyses color according to the stimulation of three
types of color-sensitive cell which respond to red(ish) green(ish)
and blue(ish) spectral color. This produces a color range (called
a gamut) which is particular to the human visual system and which
is slightly different (or markedly so in the case of "color-blindness")
from person to person.
No analytical system - digital or film - that represents color
by primaries such as RGB, CMYK, Hexachrome etc. has the same characteristics
as the human system. Nor can these systems capture the full range
of colors found in nature. Moving an image between different color
models may result in certain colors being lost.
Back
to top
|
 |
| Computer
Monitor Calibration |
|
In order to accurately view images from
a digital camera or scanner on a computer monitor the monitor must
be adjusted to properly display the full range of tones in the digital
photos. Getting accurate color and tone through the entire process
(shooting/scanning, image browsing and editing and finally printing)
can be a very complicated process.
Often the monitors on home PC's are not set properly and images
will always appear too dark or light. If this is the case, the following
instructions will need to be used to adjust the monitor Brightness
and Contrast to properly display images.
Adjusting the Monitor Color Depth
Before proceeding be sure that your computer is set to display the
maximum number of colors. If the computer is not displaying the
full range of colors and tones it will be impossible to properly
display digital images.
Windows (all version)
Right click on the desktop and choose "Properties"
Click the "Settings" tab
In the Color Quality area choose "High 24 bit" or any
setting labeled "True Color" (the higher "bit"
the better)
Names may be slightly different depending on exact OS version.
Mac OS 8.x-9.x
From the Apple Menu choose "Control Panels" and then "Monitors"
In the "Color Depth" section choose "Millions"
if available, if not choose "Thousands"
Names may be slightly different depending on exact OS version.
Mac OS X
From the Apple Menu choose "System Preferences"
then click the "Displays" button
In the "Colors" pop-up choose "Millions" if
available, if not choose "Thousands"
Adjusting the Brightness/Contrast
Now we need to adjust the physical brightness or contrast controls
of the monitor. How to do this changes greatly depending on what
hardware you have. Some computers (mainly laptops) have buttons
on the keyboard to increase or decrease the settings. Some monitors
have dials or switches on them. Consult the manual for your computer
or monitor on how to make these adjustments.

If the patches marked 0 and 10 in the grayscale appear to be the
same then you need to calibrate your monitor black point. If the
patches marked 95 and 100 appear to be the same then you need to
calibrate your monitor white point. If the patches have a color
tint, you can correct problem by calibrating monitor gamma for each
color channel individually.

Look at the above figure at a distance of 2 to 3
metres from your monitor. If the smooth patch is darker or lighter
than the background then you need to calibrate monitor gamma. Please
also note that LCD / TFT screens have an optimal viewing angle and
outside of this the gamma will appear incorrect.
To adjust monitor gamma, you need special software such as Adobe
Gamma or Praxisoft's WiziWYG. Adobe Gamma comes packaged with Photoshop
and Photoshop Elements. WiziWYG is free software that can be downloaded
from Praxisoft's
web site. The techique used in both cases is similar. Do not install
WiziWYG if you already have Adobe Gamma.
Back
to top
|
 |
|
|